Zohra's artistic exploits were not limited merely to picturesque scenes and topics, but often involved more unconventional subjects like factories, infrastructures, residential routes and cemeteries.
The lesser known of the Efflatoun sisters, Zohra like her half-sister Inji, was raised in an artistic and aristocratic family. Zohra lived in Alexandria, and studied under the patronage of their esteemed pioneer painters Adham (1908-1959) and Seif Wanly (1906-1979). She was an active participant in the local art scene, exhibiting several times at the Biennale Alexandria. A significant element of her work is its recording of the history of Alexandria by portraying famous streets and districts with their multitude of architectural styles.
She portrayed the people and spirit of what was once the ‘jewel of the Mediterranean’ faithfully and lovingly, by representing typical Egyptian personages like A’am Hassan (uncle Hassan) with his tarboush (traditional hat), the Goza Man (nuts merchant) with his delirious eye and various governmental employees with characteristics such as drooping eyes and their officials badges. She also produced many paintings of felines in urban settings, one of the most prototypical Egyptian scenes.
A world traveler, she was able to depict the spirit and lifestyle of different places around the world including Paris, San Francisco, Istanbul and Austria. Her subject matters range from portraits and social commentary to urban landscapes done in a traditional impressionist method. Zohra's artistic exploits were not limited merely to picturesque scenes and topics, but often involved more unconventional subjects like factories, infrastructures, residential routes and cemeteries. Her style demonstrates quick brush work and a skillful palette and application of color, giving the viewer a sense of serenity and cheerfulness.